early 60s were usable for the music business roles for female musicians manageable. One of them, the "family entertainer" singing, nice folk songs will make the world a bit better and can easily stylize to the saints. Joan Baez has that image to this day, Joni Mitchell eludes him successfully complete Media abstinence. The British folk singer Anne Briggs has always moved outside of these recyclable categories, and their albums from the 70s are only now being rediscovered.
Anne Briggs was born in 1944 in the vicinity of Nottingham. In a bicycle tour to Edinburgh she met Bert Jansch know who is just starting his career as a British Dylan. The two look good so similar that they are often mistaken for siblings. Both private and artistically they are a couple - Anne writes for the arrangement of Jansch 'most famous songs' Blackwater Side'. He compares their influence on the folk in retrospect like the influence of punk on the rock. Unpredictable on stage, she plays her set only to the end, where it considers itself to be right and anyway much rather occurs 'outside of buildings' on. Four weeks before her 18th Birthday, she decides to become a musician and moved from home to join the 'Centre 42' to join - a group of artists and musicians, wandering around the London area and play in pubs and at festivals.
Anne Briggs takes to 1971-1973 three albums, which all failed commercially. She plays and sings too much of traditional British folk songs - their arrangements are sparse and unpretentious, and their voice is not beautiful in the classic sense. On the Recordings is their song with pretty much set Hall - which they later moved to her most recent album "Sing A Song For You" as "not particularly good" to refer to. They retired and still lives withdrawn - in Ireland and Scotland.
Discography:
Anne Briggs (1971)
The Time Has Come (1971)
Sing A Song For You (1973)
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