copyrights: urban hearts
Monday, January 31, 2011
Diagnosed With A Little Overactive Thyroid
FREE OZ 'ART AND Activism
On 3 February 2011 begins a case against Hamburg's most famous graffiti artist. Eight years of his life sitting in prison Oz. Now it further, in the worst case more years in prison for threatening his artistic activity. Oz is being pursued not only as a single street activist, but is representative of graffiti as urban art form criminalized. The current charges are usually banal. Often it's about "crimes" such as the beautification of the back of traffic signs or attaching labels on vending machines. Criminalized Oz is clearly not for these acts, they simply appear to be unobtrusive, but for all his work. So far, Oz was mostly criminalized without critical public. This seems to change now. On Tuesday, 01.02.2011, an information and solidarity meeting held in Gängeviertel the current process and repression rather than against Oz. By solidarity groups will also now called the process attend.
A specter is haunting the cities!
should be measured by the recognition of Oz one of the most successful graphic artist and painter from Hamburg. In Europe you know your smileys and its logo, which appears everywhere in Hamburg. Where other Künstler_innen are courted and recognized, the city is trying its marketing creative credit for the site and the Hamburg brand will respond in the case of Oz with unprecedented repression. The reason is simple in nature: the main part of his work defies economic recovery.
In tabloids, he was vilified in recent years with big headlines as "outsiders" and "threat to society." His works are not shown in this perspective as a resource to people, but conjured up as a diffuse threat to the public. The Urban is in this interpretation beyond a historical concept of freedom of urban air to a very German form of common destiny, it is is subordinate. People who insist on their autonomy or just bulky to be considered as a deviation to be controlled.
one hand, reveals himself by an ancient, deep-seated contempt for other bourgeois lifestyles, on the other hand, lack the prerequisites to understand the importance of cultural expressions, which apparently deny economic sense. But because the legalities of the art market is also in the areas concerned which try to evade him, a part of the work of Oz is now quite landed in exhibitions and galleries. He stands in the tradition of controversial artists such as Gérard Zlotykamien or Harald Naegeli,
that constitute "enjoyable vandalism" Art can even sniffs the flagship of Hanseatic culture at the time. Is there yet another street art activist celebrated literally ". With Banksy, the urban vandalism was entertaining as anyone else, he knows how to transform the most desolate cities in pleasurable exhibition spaces" analogies are a dangerous place and although Smileys Stop signs the irony of Bansky accord fully will it not be to compare the work of both. But who can imagine, the right to not have Bansky in hip London but lived in Hamburg dazzling. The Hamburg prosecutor it would keep him under surveillance by 12 MEK officials sought unsuccessfully to court for ways to him as a "notorious property damage" to deny the culpability and therefore it should be classified as sex offenders and threaten them with preventive detention. In the media would be his sentence had been gleefully greeted with "graffiti only in jail" and he had spent much of his life in prison.
We wonder where the crime lies in drawing a smiley face on an electrical box or a blank wall? How can we understand or explain that a person therefore receives a total of more years of imprisonment, which on the duration of legal severity of crimes like murder or manslaughter equivalent? A society that says it does, or authorizes, moving not only beyond legal minimum standards, but is in all respects an authoritarian and inhuman, you meet the most basic of all liberties with one of the most serious of all means: the right to visibility, voice and self-interpretation of its own existence with years of imprisonment and the imperative of silence.
The legal exorcism, to mitigate the Oz characters are driven out goes hand in hand with an increasingly repressive notion of urban and public space. Camera surveillance, state and privatized control, cleanliness and order as the measuring points of subjective Security penetrate the public space. Slogans, pictures, posters, demonstrations and street theater are part of public life.
Most of it is in cities now banned in order to perfect a smooth consumption. In the bourgeois concept of freedom is to be traded economically-rational and self-realization is through work and consumption goods. In the surreal messages of Oz is a subtle act of resistance against the constraints associated with such standards. You raise a hidden refusal to introduce an inner defense against the task nonconformist individuality through self-positioning in urban planning and control rooms. They refuse the dictates of a function and recovery in Kapitalimus.
people as Oz do not belong in prison, but to life in the city. They are important because they show up and a relationship of violence that surrounds us in the form of bare walls and screaming advertising reality, give thoughtful designs and shapes. Oz gives the architecture of the city while a dignity that was of gold rush fever and investors landscapes, growing city and security needs, long forgotten and repressed. He gives the desire for life is a language that resounds from the walls, and copies will be circulated.
The "ghost" is for the French philosopher Jacques Derrida, the sign of a dead einsickerrn in a lively discourse. In "Marx Specters of it is the idea of justice. There are people who want to forget Marx, but his ghost can not get rid of. They "transform" itself, no one can say when and where they appear, but they keep coming back. The symbolic world of Oz defy the repressive reality and multiply. You swear to uncertainty in the eyes of Ordnungsfanatiker_innen and a backdrop of desire for others.
tell you anything about the copyright or an act of Oz, but believes that the city is not dead Location of constraints is. The lettering Oz, smilies and curls are artistic protest of urbanity as a concept of freedom against the supposed necessities. There are over 100 000 oz graffiti, they have appeared in other cities in Europe and developed during his detention. It is not the person is now to be condemned, but an attempt to drive out ghosts, the revolt against the apparent lack of alternatives to an existing order and world view. A world view that explains the economy into a fetish, meaning and purpose to which the political element, the art and life are subordinated in the city. This is the subversion of the smilies the undefined ones need for punishment, the hysteria against the ghostly spreading character and man Oz
We demand freedom for Oz and the setting of his case, because every other state governmental authority as a model and cement of social life promoted and the loss of individual freedom means the benefit of the economic constraints of a common destiny. Who wants to drive Oz from the image of the city, will not rob him alone the language, but all who are trying to reinvent themselves and express themselves beyond existing standards do.
Source: indymedia.org
court dates
info 01/28/2011 - 00:52
3.2. Clock 13
A specter is haunting the cities!
should be measured by the recognition of Oz one of the most successful graphic artist and painter from Hamburg. In Europe you know your smileys and its logo, which appears everywhere in Hamburg. Where other Künstler_innen are courted and recognized, the city is trying its marketing creative credit for the site and the Hamburg brand will respond in the case of Oz with unprecedented repression. The reason is simple in nature: the main part of his work defies economic recovery.
In tabloids, he was vilified in recent years with big headlines as "outsiders" and "threat to society." His works are not shown in this perspective as a resource to people, but conjured up as a diffuse threat to the public. The Urban is in this interpretation beyond a historical concept of freedom of urban air to a very German form of common destiny, it is is subordinate. People who insist on their autonomy or just bulky to be considered as a deviation to be controlled.
one hand, reveals himself by an ancient, deep-seated contempt for other bourgeois lifestyles, on the other hand, lack the prerequisites to understand the importance of cultural expressions, which apparently deny economic sense. But because the legalities of the art market is also in the areas concerned which try to evade him, a part of the work of Oz is now quite landed in exhibitions and galleries. He stands in the tradition of controversial artists such as Gérard Zlotykamien or Harald Naegeli,
that constitute "enjoyable vandalism" Art can even sniffs the flagship of Hanseatic culture at the time. Is there yet another street art activist celebrated literally ". With Banksy, the urban vandalism was entertaining as anyone else, he knows how to transform the most desolate cities in pleasurable exhibition spaces" analogies are a dangerous place and although Smileys Stop signs the irony of Bansky accord fully will it not be to compare the work of both. But who can imagine, the right to not have Bansky in hip London but lived in Hamburg dazzling. The Hamburg prosecutor it would keep him under surveillance by 12 MEK officials sought unsuccessfully to court for ways to him as a "notorious property damage" to deny the culpability and therefore it should be classified as sex offenders and threaten them with preventive detention. In the media would be his sentence had been gleefully greeted with "graffiti only in jail" and he had spent much of his life in prison.
We wonder where the crime lies in drawing a smiley face on an electrical box or a blank wall? How can we understand or explain that a person therefore receives a total of more years of imprisonment, which on the duration of legal severity of crimes like murder or manslaughter equivalent? A society that says it does, or authorizes, moving not only beyond legal minimum standards, but is in all respects an authoritarian and inhuman, you meet the most basic of all liberties with one of the most serious of all means: the right to visibility, voice and self-interpretation of its own existence with years of imprisonment and the imperative of silence.
The legal exorcism, to mitigate the Oz characters are driven out goes hand in hand with an increasingly repressive notion of urban and public space. Camera surveillance, state and privatized control, cleanliness and order as the measuring points of subjective Security penetrate the public space. Slogans, pictures, posters, demonstrations and street theater are part of public life.
Most of it is in cities now banned in order to perfect a smooth consumption. In the bourgeois concept of freedom is to be traded economically-rational and self-realization is through work and consumption goods. In the surreal messages of Oz is a subtle act of resistance against the constraints associated with such standards. You raise a hidden refusal to introduce an inner defense against the task nonconformist individuality through self-positioning in urban planning and control rooms. They refuse the dictates of a function and recovery in Kapitalimus.
people as Oz do not belong in prison, but to life in the city. They are important because they show up and a relationship of violence that surrounds us in the form of bare walls and screaming advertising reality, give thoughtful designs and shapes. Oz gives the architecture of the city while a dignity that was of gold rush fever and investors landscapes, growing city and security needs, long forgotten and repressed. He gives the desire for life is a language that resounds from the walls, and copies will be circulated.
The "ghost" is for the French philosopher Jacques Derrida, the sign of a dead einsickerrn in a lively discourse. In "Marx Specters of it is the idea of justice. There are people who want to forget Marx, but his ghost can not get rid of. They "transform" itself, no one can say when and where they appear, but they keep coming back. The symbolic world of Oz defy the repressive reality and multiply. You swear to uncertainty in the eyes of Ordnungsfanatiker_innen and a backdrop of desire for others.
tell you anything about the copyright or an act of Oz, but believes that the city is not dead Location of constraints is. The lettering Oz, smilies and curls are artistic protest of urbanity as a concept of freedom against the supposed necessities. There are over 100 000 oz graffiti, they have appeared in other cities in Europe and developed during his detention. It is not the person is now to be condemned, but an attempt to drive out ghosts, the revolt against the apparent lack of alternatives to an existing order and world view. A world view that explains the economy into a fetish, meaning and purpose to which the political element, the art and life are subordinated in the city. This is the subversion of the smilies the undefined ones need for punishment, the hysteria against the ghostly spreading character and man Oz
We demand freedom for Oz and the setting of his case, because every other state governmental authority as a model and cement of social life promoted and the loss of individual freedom means the benefit of the economic constraints of a common destiny. Who wants to drive Oz from the image of the city, will not rob him alone the language, but all who are trying to reinvent themselves and express themselves beyond existing standards do.
Source: indymedia.org
court dates
info 01/28/2011 - 00:52
3.2. Clock 13
Maculopapular Rash Treatments
Missy Guest Blog: And thank you for your attention.
Trish Keenan, recently deceased lead singer of the band broadcast had a very good taste in music and a knack for putting together compilations of music from aloof from the 60s and 70s. You can convince them on the online this month emerged "Mind-Bending-Motorway-compilation" .
Anna has been writing since early January on 'different needs' together produced a significant Riot Grrrl ABC .
And for those who live in Berlin: Tomorrow starts the transmediale , Berlin's' Festival of digital culture and media art. Special attention deserves the Feminist DIY Workshop by Mz Baltazar's Laboratory presented by Missy magazine.
Sunday, January 30, 2011
Grey Nichols Legend Bat
Missy Guest Blog: The new femininity of Lykke Li
Lykke Li cultured in the music videos and short films to her new album "Wounded Rhymes" an image that will have to do with the cute girl with the bun anymore. With her hair and 'heavy Metal' body jewelry she swears in the video for "Get Some" an esoteric cult-inspired femininity.
"I'm a prostitution - you gon get some" as a Form of self-empowerment or 'pussy power', as manifested itself in an interview it. When inspiration calls them Anaïs Nin, Simone de Beauvoir, Edith Piaf, Patti Smith, Gena Rowlands - 'just badass women' just. The video for "Get Some" quotes generously everything from shamanism to Amazonentum: Lykke Li dances in the candle circle before psychedelic video sequences of armed women.
all previously released videos add to the new aesthetic concept to include new components, particularly evident in the two short films by Moses Berkson. The first Super 8 shows images of the singer in the desert, with sandals and a long dress like they do not understand in greater detail actions with mirrors running and tries to dig a hole in the desert sand. In the second film will be further worked on to Anton Corbijn reminiscent aesthetics. Lykke Li crawls on the sand floor studio and performs rituals with knives. Especially these two videos are a vivid attempt a change of image - launch - maybe the way to more serious and darker.
In this timeline, the video for their last single release "I Follow River" to see. From the sand here is snow and we see a part with handheld camera filmed chase between herself and a man Again, the reverse role-play: She follows him, he tried in vain to escape.
Against what or why all this? Lykke Li says, it was the experience of the music industry since their release of their first album in 2008 that led to the consideration of the new songs and new visual ideas.
"Because you're a woman, the music industry puts you in another corner. I want to be fighting with the men. I want to be amongst the men, topless, throwing things."
The album "Wounded Rhymes" appears on 28 February on Atlantic Records. There is the possibility of some tracks of the album on Sound Cloud to listen. Lykke Li is playing three concerts in April in Germany.
05th April 2011 Berlin - Astra House of Culture
06th April 2011 Munich - Muffathalle
11th April 2011 Köln - Gloria 
Lykke Li cultured in the music videos and short films to her new album "Wounded Rhymes" an image that will have to do with the cute girl with the bun anymore. With her hair and 'heavy Metal' body jewelry she swears in the video for "Get Some" an esoteric cult-inspired femininity.
"I'm a prostitution - you gon get some" as a Form of self-empowerment or 'pussy power', as manifested itself in an interview it. When inspiration calls them Anaïs Nin, Simone de Beauvoir, Edith Piaf, Patti Smith, Gena Rowlands - 'just badass women' just. The video for "Get Some" quotes generously everything from shamanism to Amazonentum: Lykke Li dances in the candle circle before psychedelic video sequences of armed women.
all previously released videos add to the new aesthetic concept to include new components, particularly evident in the two short films by Moses Berkson. The first Super 8 shows images of the singer in the desert, with sandals and a long dress like they do not understand in greater detail actions with mirrors running and tries to dig a hole in the desert sand. In the second film will be further worked on to Anton Corbijn reminiscent aesthetics. Lykke Li crawls on the sand floor studio and performs rituals with knives. Especially these two videos are a vivid attempt a change of image - launch - maybe the way to more serious and darker.
In this timeline, the video for their last single release "I Follow River" to see. From the sand here is snow and we see a part with handheld camera filmed chase between herself and a man Again, the reverse role-play: She follows him, he tried in vain to escape.
Against what or why all this? Lykke Li says, it was the experience of the music industry since their release of their first album in 2008 that led to the consideration of the new songs and new visual ideas.
"Because you're a woman, the music industry puts you in another corner. I want to be fighting with the men. I want to be amongst the men, topless, throwing things."
The album "Wounded Rhymes" appears on 28 February on Atlantic Records. There is the possibility of some tracks of the album on Sound Cloud to listen. Lykke Li is playing three concerts in April in Germany.
05th April 2011 Berlin - Astra House of Culture
06th April 2011 Munich - Muffathalle
11th April 2011 Köln - Gloria
Yeast Infection Clitorous Monistat
Missy Guest Blog: Anne Briggs
early 60s were usable for the music business roles for female musicians manageable. One of them, the "family entertainer" singing, nice folk songs will make the world a bit better and can easily stylize to the saints. Joan Baez has that image to this day, Joni Mitchell eludes him successfully complete Media abstinence. The British folk singer Anne Briggs has always moved outside of these recyclable categories, and their albums from the 70s are only now being rediscovered.
Anne Briggs was born in 1944 in the vicinity of Nottingham. In a bicycle tour to Edinburgh she met Bert Jansch know who is just starting his career as a British Dylan. The two look good so similar that they are often mistaken for siblings. Both private and artistically they are a couple - Anne writes for the arrangement of Jansch 'most famous songs' Blackwater Side'. He compares their influence on the folk in retrospect like the influence of punk on the rock. Unpredictable on stage, she plays her set only to the end, where it considers itself to be right and anyway much rather occurs 'outside of buildings' on. Four weeks before her 18th Birthday, she decides to become a musician and moved from home to join the 'Centre 42' to join - a group of artists and musicians, wandering around the London area and play in pubs and at festivals.
Anne Briggs takes to 1971-1973 three albums, which all failed commercially. She plays and sings too much of traditional British folk songs - their arrangements are sparse and unpretentious, and their voice is not beautiful in the classic sense. On the Recordings is their song with pretty much set Hall - which they later moved to her most recent album "Sing A Song For You" as "not particularly good" to refer to. They retired and still lives withdrawn - in Ireland and Scotland.
Discography:
Anne Briggs (1971)
The Time Has Come (1971)
Sing A Song For You (1973)
early 60s were usable for the music business roles for female musicians manageable. One of them, the "family entertainer" singing, nice folk songs will make the world a bit better and can easily stylize to the saints. Joan Baez has that image to this day, Joni Mitchell eludes him successfully complete Media abstinence. The British folk singer Anne Briggs has always moved outside of these recyclable categories, and their albums from the 70s are only now being rediscovered.
Anne Briggs was born in 1944 in the vicinity of Nottingham. In a bicycle tour to Edinburgh she met Bert Jansch know who is just starting his career as a British Dylan. The two look good so similar that they are often mistaken for siblings. Both private and artistically they are a couple - Anne writes for the arrangement of Jansch 'most famous songs' Blackwater Side'. He compares their influence on the folk in retrospect like the influence of punk on the rock. Unpredictable on stage, she plays her set only to the end, where it considers itself to be right and anyway much rather occurs 'outside of buildings' on. Four weeks before her 18th Birthday, she decides to become a musician and moved from home to join the 'Centre 42' to join - a group of artists and musicians, wandering around the London area and play in pubs and at festivals.
Anne Briggs takes to 1971-1973 three albums, which all failed commercially. She plays and sings too much of traditional British folk songs - their arrangements are sparse and unpretentious, and their voice is not beautiful in the classic sense. On the Recordings is their song with pretty much set Hall - which they later moved to her most recent album "Sing A Song For You" as "not particularly good" to refer to. They retired and still lives withdrawn - in Ireland and Scotland.
Discography:
Anne Briggs (1971)
The Time Has Come (1971)
Sing A Song For You (1973)
Saturday, January 29, 2011
Best Of Luck Template
bio-politics rhetoric
sneak past three years I to the lectures of Michel Foucault about the history of governmentality . Now I could not have bought them and me. Since this afternoon I read and comment.
Thursday, January 27, 2011
I Took Afrin Now My Throat Is Burning
am With suite101.de way I am now responsible for the area of rhetoric. The cognitive sciences have already been let. But I switch anyway always and ago.
Matula Herbal Tea Buy In Gta
Hurrah! Aldi!
sold off Birkenbihl videos. Since yesterday. Instead of 89 cents (pea soup in a can) spent € 30.89 (6 videos). So my requirement is, however, also covered.
Tuesday, January 25, 2011
Poem For Wedding Wish Tree
and serious: Statement by Angela Merkel
E igentlich but I'm still access the rhetoric, intensively for two days with the analysis scheme by Stephen Toulmin. This I first applied to a few passages in Nietzsche's "On the Use and Abuse of History for Life," now I am at picking apart the government statement Angela Merkel on 15 December 2010. The rhetoric of our Federal Chancellor interests me for two years, ever since I stumbled across an opinion on the Afghanistan mission am. In addition I also had written a lot. However, all this was just a sample, no detailed analysis. Today I wanted to respond to a statement by Kristina Köhler, which can be found in the same parliamentary session as the government statement of Angela Merkel. But so far I have come not anymore.
D as Toulmin scheme of the way, is great. However, it has some serious problems when applied without the knowledge or without consideration of rhetorical figures. In Merkel's speech is found that is a phenomenon which I call provisionally "inductive metaphor." Merkel introduces a metaphor that is judgmental, but abstract. In this case, it is the word "nuclear." She says: "We have experienced this year, which is the core of economic and monetary union and the European Union as a whole accounts for ... '. This metaphor of the core it replaces during the following subset of the concept of community responsibility. In other words, the metaphor is replaced by a euphemism. This term is euphemistic way, not because Ms Merkel had not defined this (of which we know nothing), but because he as an idea, the idea of responsibility, can be turned down so badly. Inset: Plett distinguishes his book Systematic rhetoric, the rhetorical figures different in grammar, semantics and pragmatics. If I criticize the euphemism, as an effect and this strictly by Angela Merkel disconnect, I am not referring to the semantics, but to the pragmatics of such a euphemism. The euphemism is of him in the pragmatics. Figures, like the metaphor or euphemism, without knowledge of the argument can not be evaluated in their pragmatic content. However, the argument here, rather a parallel world that is sometimes close, sometimes further entangled with the rhetorical figures and developed a "certain" of their own.
D as Toulmin scheme of the way, is great. However, it has some serious problems when applied without the knowledge or without consideration of rhetorical figures. In Merkel's speech is found that is a phenomenon which I call provisionally "inductive metaphor." Merkel introduces a metaphor that is judgmental, but abstract. In this case, it is the word "nuclear." She says: "We have experienced this year, which is the core of economic and monetary union and the European Union as a whole accounts for ... '. This metaphor of the core it replaces during the following subset of the concept of community responsibility. In other words, the metaphor is replaced by a euphemism. This term is euphemistic way, not because Ms Merkel had not defined this (of which we know nothing), but because he as an idea, the idea of responsibility, can be turned down so badly. Inset: Plett distinguishes his book Systematic rhetoric, the rhetorical figures different in grammar, semantics and pragmatics. If I criticize the euphemism, as an effect and this strictly by Angela Merkel disconnect, I am not referring to the semantics, but to the pragmatics of such a euphemism. The euphemism is of him in the pragmatics. Figures, like the metaphor or euphemism, without knowledge of the argument can not be evaluated in their pragmatic content. However, the argument here, rather a parallel world that is sometimes close, sometimes further entangled with the rhetorical figures and developed a "certain" of their own.
Ankylosing Spondilitis Scholarships
floating mammals in the picture
Nanu? As someone finds me but by Google for "verblasten metaphors studied. Blowing is an ancient term for the emission of air in whales. The fact that someone found me in this way, I now notes afternoon. Since then, I ponder.
Wild Thornerrys Wildlife Rescue Game
Monster Exhibition, Wien
the exhibition „stick core“ will show stickers by artists from all over the world. discover this medium as a part of street and urban art and get fascinated by its wonderful diversity of colour, form, elements and expression. 
opening hours
tue – sat: 11h – 21h
sun: 11h – 18h
copyrights: haevi
Womens Showing Their Boobs In Saree
stick core, berlin
copyrights:
Ragad Street Art International Art Expo 2011 January 8
Monday, January 24, 2011
Ankylosing Spondilitis Scholarship
Classic Rhetoric
am Once again I am extremely intrigued. The so-called LAB (language and behavior profile), which is touted as a major innovation means little else than the classical rhetoric. Shelle Rose Charvet not, but Aristotle.
Saturday, January 22, 2011
Mehndi Dresses Patiala
Missy Guest Blog: 'Last Night A DJane Saved My Life'
Saturday - the weekend - leaving. The Dreieinigk ince of leisure between Thursday and Sunday. Also in between: reflections on a female DJ - Culture and the absence of a cult. 
Saturday - the weekend - leaving. The Dreieinigk ince of leisure between Thursday and Sunday. Also in between: reflections on a female DJ - Culture and the absence of a cult.
"Either you can hear his-tory, or history, and the only way you're gonna hear the real historical view on it is by the people who were actually there ... "Grandmaster Flash on a history of DJ culture in Ulf Poschardt 'DJ Culture'.
This is not meant like that but is just as' his-tory 'here drawn style of writing apart. what is that with "her-story' would be if there is something like a female history in pop music enter *, eh? The woman could look like the pop - pop music here is less than in the same direction as a reference space taking place musical mainstream - is primarily the object of male gaze test, an alternative -. female - recorded music history, the British Cultural studies Angela McRobbie 1978 in an essay on 'Rock and Sexuality' made. It examines misogynistic tendencies in rock music and notes: "Some feminists have argued that rock is now Essentially a male form of expression, that for women to make nonsexist music it is Necessary to use sounds, structures, and styles that can not be heard as rock. "
That would speak but definitely ensure that women devote more and the production of electronic music *. Why producing and mixing women are still a rare, a side issue? Music education and socialization to bring women - Even my generation - rarely in direct contact with the technology behind the production of music. Even if they are dancing every weekend for that: with the software and hardware that is behind an ecstatic weekend know the least from. And both in the immediate environment and in the broad field of popular culture, there are few that offer the opportunity to identify and serve as role models could.
Daphne Oram in Radiophonic Workshop the BBC, 1958
But they are there anyway. At the beginning and now. Musique concrète, first synthesizer, composers and producers such as Daphne Oram or Pauline Oliveros, the tinkering in the BBC Radiophonic Workshop to create new sound worlds. Today the names of the coordinates Berghain and Dubsteb: Ellen Allien , label boss, DJ and producer and Cooly G , published in the seminal British label Hyperdub and enjoys the respect of label boss code 9th
To return to the preserves and back to the hardware: a promise by the entry of the machine in the pop at power plant was the alignment of human and machine - and, consequently, also a form of asexuality. Today is electronic music - especially techno, as one of its most popular variations - in fact no sex? dancing all the same? Those questions, Christine Brown and Marcus Maida Reuther in a contribution to the gender issue of the test card anthologies. They ask actors electronic music - producers, DJs, musicians - their experiences, requirements, and with their work. And note that these women "have to do even more than men, must have more ideas and more power" to achieve similar. That these women and their music even exists, is for Braunreuther Maida and the progressive moment. But will the rest of resignation.
10 years have passed since this assessment. On the surface, not much has changed. Even the revival of electronic music - in Berlin, in particular - has no apparent higher proportion of women behind the turntables and controllers brought with it. And the examples listed above remain just examples, two of a few.
What also left at the end and what is at the end of these considerations: A female DJ culture - what can that be? If so, why? How to design structure - where they exist already?
* The terms pop and electronic music called, of course, one to diverse phenomenon in order to use them as definitive terms. Instead, they should in this text rather as representative of the discourse on the respective term.
Monday, January 17, 2011
Tatoos For Genitialia
Concert Recommendation: Tula
morning, Tuesday, play Tula in Mdm Claude in Kreuzberg. That will be great and a bit like one would walk in Swedish forests. All information for the planned hike:
18th January 2011
Tula
Mdm Claude, Kreuzberg, Lübbenerstr. 19
clock 21:00
Thursday, January 13, 2011
Wednesday, January 12, 2011
How To Make On Front Camera Of Nokia E71
die goldenen zeiten sind vorbei. Streetart
copyrights:
urban hearts
copyrights:
urban hearts
Monday, January 10, 2011
Electric Box Level 42
Sunday, January 9, 2011
Messages To Welcome A Newly Born Niece
dance for three minutes.
More information.
I may 22 February at the party COUNTERFLOW in Love in Berlin Lite hang up and play pop music, which ranges in length from one to three minutes. This is great. Even more, if you all come.
More information:
comes The ecological change. And in this case it is accompanied by good music and beer. On 22 January from 22:00 am Lite can be danced in Love Ostkreuz the finest electronic-minimalistiscHen sounds and Gypsy beats, celebrated - and the current can be changed. Organized by the Initiative AtomCONCERN it is here for the solemn Democratization of the electricity markets in addition to the usual advantages of a good party are still ways ... give ility to get information on green power and to tell the nuclear electricity in your living room to fight. Admission is 3 € solidarity crowns and who directly at the scene will change the current, will enjoy the one or two drinks advantage. Regardless of whether you have already changed or still want to change: become part of the electric feeling.
/ / Music:
Mars girls (>> http://www.myspace.com/djanemarsmaedchen )
Department of Future Thinking (>> http://www.dofd.de/ )
Ann-Kathrin of three minutes (>> http://dreiminuten.blogspot.com / )
follow.
More information.
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Friday, January 7, 2011
Nieve Yogur Taylor Machine Mix
Missy Guest Blog: Pay now for music television?
Since change can be the music channel MTV no longer receive free. Where to put the music video? The network has already found a new place - and a new form of existence. 
Since change can be the music channel MTV no longer receive free. Where to put the music video? The network has already found a new place - and a new form of existence.
should all started with "Video Killed The Radio Star" to stop it on New Year's evening with "Viva Forever" by the Spice Girls. Just a little self-irony or even a reference to the now no longer standing in the shadow of sister station? Premium MTV in 2011 and is commercially available as a package with several types of music channels. There is more music, more shows and above all less advertising. The other channel of Viacom company - Viva - will remain free on the air and launches new Image and logo into the new year. When MTV sent
1981 his first video the world for the music industry was still in order: were LPs, CDs and singles sold in record stores and do not load at random. For the broad impact of their artists, record companies, with long, expensive movies with zombies and super models in bathtubs. MTV is in a very short time by the music listening station promotional film for a youth culture - with its own visual language, their own codes. Music television was as radio with pictures - the Smell of Teen Spirit and for me as a teenager from the village to confirm that it (larger in the other Cities) give such a colorful world needs.
music video short film hybrid of Spike Jonze to the Arcade Fire song "The Suburbs" (2010)
Then came YouTube and created the space for a collective visual memory, including all ever filmed music videos. see what you wanted was always available - why wait before the TV? At some point there was less music in music television ever seen. In the music video network had the necessary space to develop - not higher, faster, farther. In the niche of digital music and / or Scene advanced music videos, which were not only advertising space or wanted to be: the music video as a form of short film experienced a renaissance. The music video was even a question. Products, have specialized in the personalized consumer is now on-line music TV channel. offer
The concept MTV as a pay-TV channel is already working in other countries where the viewers are ready for more music to pay more. It is difficult today not to search and find, but choosing from a vast mass of music. exciting to see whether the new music television, the need for summary - can perform - on various media channels.
Monday, January 3, 2011
Sterling Cake Plateau
new things in the New Year
I would guest blog in January, one month for the magazine Missy . Anticipation! My posts you read here. (Thank you)
I would guest blog in January, one month for the magazine Missy . Anticipation! My posts you read here. (Thank you)
After Brigitte can pass from the think-tank to leave again the finest feminist exciting and Pops last year , we present to you now, as promised, her successor before:
Ann Katherine, born in 1990, writes on her blog dreiminuten.blogspot.com (and occasionally also on roteraupe.de and auftouren.de ) about music, real Popfeminismus and both moved and static images. Since September is also studied musicology and art history in Berlin. She was just very cold, but now it's her better - thankfully - so that it can tomorrow take up her new blog site with us. Your guest blog to turn especially to those musicians, journalists and other female role models who deserve special attention in their eyes for their work / music / lyrics. January is certainly too short to accommodate them all, but at least one selection will portray for us. Who else is on their list? Then you learn in the course of January. Stay tuned ...
Sunday, January 2, 2011
Taste Of Mirtazepine?
looking back at 30
plates of the last year. Also on autouren.de .
01 Warpaint - The Fool
02 Wild Birds & Peacdrums - Voices
03 Ariel Pink's Haunted Graffiti - Before Today
04 Deerhunter – Halcyon Digest
05 Coco Rosie – Grey Oceans
06 Joanna Newsom – Have One On Me
07 Woods – At Echo Lake
08 Future Islands – In Evening Air
09 James Blake – Klavierwerke EP
10 Tame Impala – Innerspeaker
11 Anthony & The Johnsons – Swanlights
12 Efterklang – Magic Chairs
13 Beach House – Teen Dream
14 Gonjasufi – A Sufi And A Killer
15 Caribou – Odessa
16 Twin Shadow – Forget
17 Hans Unstern – Kratz dich aus
18 The Tallest Men On Earth – The Wild Hunt
19 Pantha du Prince – Black Noise
20 Here We Go Magic – Pigeons
21 No Age – Everything Inbetween
22 Belle & Sebastian – Write About Love
23 Beach Fossils – Beach Fossils
24 Oh No Ono – Eggs
25 Efdemin -Chicago
26 Laura Marling – I Speak Because I Can
27 Pawel – Pawel
28 Laurie Anderson – Homeland
29 Mount Kimbie – Crooks & Lovers
30 Bear In Heaven – Beast Rest Forth Mouth 
plates of the last year. Also on autouren.de .
01 Warpaint - The Fool
02 Wild Birds & Peacdrums - Voices
03 Ariel Pink's Haunted Graffiti - Before Today
04 Deerhunter – Halcyon Digest
05 Coco Rosie – Grey Oceans
06 Joanna Newsom – Have One On Me
07 Woods – At Echo Lake
08 Future Islands – In Evening Air
09 James Blake – Klavierwerke EP
10 Tame Impala – Innerspeaker
11 Anthony & The Johnsons – Swanlights
12 Efterklang – Magic Chairs
13 Beach House – Teen Dream
14 Gonjasufi – A Sufi And A Killer
15 Caribou – Odessa
16 Twin Shadow – Forget
17 Hans Unstern – Kratz dich aus
18 The Tallest Men On Earth – The Wild Hunt
19 Pantha du Prince – Black Noise
20 Here We Go Magic – Pigeons
21 No Age – Everything Inbetween
22 Belle & Sebastian – Write About Love
23 Beach Fossils – Beach Fossils
24 Oh No Ono – Eggs
25 Efdemin -Chicago
26 Laura Marling – I Speak Because I Can
27 Pawel – Pawel
28 Laurie Anderson – Homeland
29 Mount Kimbie – Crooks & Lovers
30 Bear In Heaven – Beast Rest Forth Mouth
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