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The 60s - In the 60 years was a conscious, but cautious emancipation from the American model. The three groups were first significant jazz quintets of Albert Mangelsdorff (with Heinz Sauer, Günter Kronberg) and Michael Naura (Wolfgang Schlueter) and the quartet of Klaus Doldinger (with Ingfried Hoffmann). Examples are the groups to Joki Freund (Yogi Jazz) (with Emil Mangelsdorff) and the trio by Wolfgang Dauner (with Eberhard Weber) (Dream Talk). Naura unfortunately had to withdraw because of illness from the active life of a musician. Doldinger and Mangelsdorff was a pleasing continuity with related experience abroad and published plates. A very important musician the bass player Peter Trunk, who played not only with Mangelsdorff and Doldinger, but because of its musicality, soundness and versatility, was also in demand as a studio musician extremely. 1965 entered the quintet of Gunter Hampel, with the likes of Manfred Schoof, Alexander von Schlippenbach, Buschi Niebergall and Pierre Courbois the German jazz scene. The LP Heartplants is considered the first German free jazz record, with the music from today's perspective, but it still sounds quite reasonable. Radical sounds were heard from the then quintet of Manfred Schoof (Voices) and an octet by Peter Brötzmann (Machine Gun).
The 60s - In the 60 years was a conscious, but cautious emancipation from the American model. The three groups were first significant jazz quintets of Albert Mangelsdorff (with Heinz Sauer, Günter Kronberg) and Michael Naura (Wolfgang Schlueter) and the quartet of Klaus Doldinger (with Ingfried Hoffmann). Examples are the groups to Joki Freund (Yogi Jazz) (with Emil Mangelsdorff) and the trio by Wolfgang Dauner (with Eberhard Weber) (Dream Talk). Naura unfortunately had to withdraw because of illness from the active life of a musician. Doldinger and Mangelsdorff was a pleasing continuity with related experience abroad and published plates. A very important musician the bass player Peter Trunk, who played not only with Mangelsdorff and Doldinger, but because of its musicality, soundness and versatility, was also in demand as a studio musician extremely. 1965 entered the quintet of Gunter Hampel, with the likes of Manfred Schoof, Alexander von Schlippenbach, Buschi Niebergall and Pierre Courbois the German jazz scene. The LP Heartplants is considered the first German free jazz record, with the music from today's perspective, but it still sounds quite reasonable. Radical sounds were heard from the then quintet of Manfred Schoof (Voices) and an octet by Peter Brötzmann (Machine Gun). 
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