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time of National Socialism - in neighboring European countries continued the trend in the 1930s. There were fan magazines for jazz and so-called "hot club". The Nazi regime, however, persecuted and banned the broadcasting of jazz on the radio. First, because of the African roots of jazz. Second, because it goes with this music in a way, to personality and to adapt. Although it was still pursuing at least in large cities still possible to buy jazz records, development and contact with the American jazz world, however, was severely disrupted. By the Reich Music Chamber Music officially supported, however, had striking features of American swing. In Germany, knew at that time, relatively few people, like the jazz music in America - and that it was listened to jazz elements - at that time so the swing. There were even pieces that were by the Nazis in specially designed studios producing new and equipped with new text. One example is the title of "Black Bottom" is, presented as a "black soil". For some Germans, the Allies banned stations with music programs were popular. They were disturbed by the Nazis on the one hand, on the other hand, also mimics. Here, the jazz singing was provided with provocative propaganda texts.
time of National Socialism - in neighboring European countries continued the trend in the 1930s. There were fan magazines for jazz and so-called "hot club". The Nazi regime, however, persecuted and banned the broadcasting of jazz on the radio. First, because of the African roots of jazz. Second, because it goes with this music in a way, to personality and to adapt. Although it was still pursuing at least in large cities still possible to buy jazz records, development and contact with the American jazz world, however, was severely disrupted. By the Reich Music Chamber Music officially supported, however, had striking features of American swing. In Germany, knew at that time, relatively few people, like the jazz music in America - and that it was listened to jazz elements - at that time so the swing. There were even pieces that were by the Nazis in specially designed studios producing new and equipped with new text. One example is the title of "Black Bottom" is, presented as a "black soil". For some Germans, the Allies banned stations with music programs were popular. They were disturbed by the Nazis on the one hand, on the other hand, also mimics. Here, the jazz singing was provided with provocative propaganda texts. 
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