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post-war and 50s - After the war, many musicians and music fans for nearly 20 years of isolation, missed very interested in the movements. Especially in the American occupation zones after the war could develop good jazz. Especially Berlin, Bremen and Frankfurt were strongholds. Young German musicians were in American GI localities big audiences auftreten.Bis late 50s, the German jazz scene strongly fixated on imitating the American jazz and make up the missed development. However, there have since 1954 first soft steps of the musical emancipation. It played the Quintet and the pianist and composer Jutta Hipp a central role. For this formation included the saxophonist Emil Mangelsdorff, Joki Freund, who also contributed compositions. Although their music was heavily oriented toward the American model, were American jazz critic unusually impressed by the sovereign performances with its own style note. The special feature was a heavy punk reduction to linear improvisations in the melody with a beginning and end in unusual places. The rhythmic and rhythmically innovative bebop was in America until the mid-50s are high. With him were the European musicians start with the less than booming in the 50's cool jazz. Cool jazz was less explosive, more gently and slowly with an emphasis on brass melodies. He was, both in terms of the interaction and the intonation, ease of integration among the German musicians.
post-war and 50s - After the war, many musicians and music fans for nearly 20 years of isolation, missed very interested in the movements. Especially in the American occupation zones after the war could develop good jazz. Especially Berlin, Bremen and Frankfurt were strongholds. Young German musicians were in American GI localities big audiences auftreten.Bis late 50s, the German jazz scene strongly fixated on imitating the American jazz and make up the missed development. However, there have since 1954 first soft steps of the musical emancipation. It played the Quintet and the pianist and composer Jutta Hipp a central role. For this formation included the saxophonist Emil Mangelsdorff, Joki Freund, who also contributed compositions. Although their music was heavily oriented toward the American model, were American jazz critic unusually impressed by the sovereign performances with its own style note. The special feature was a heavy punk reduction to linear improvisations in the melody with a beginning and end in unusual places. The rhythmic and rhythmically innovative bebop was in America until the mid-50s are high. With him were the European musicians start with the less than booming in the 50's cool jazz. Cool jazz was less explosive, more gently and slowly with an emphasis on brass melodies. He was, both in terms of the interaction and the intonation, ease of integration among the German musicians. 
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