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The 70s - In the 70 years was the international movement entered the German jazz world that jazz has been combined with various other musical genres. Successful jazz musicians like Klaus Doldinger, Volker Kriegel and the United Jazz and Rock Ensemble followed this trend. It is noteworthy that these musicians were just as successful with the local audience as American jazz musician. Acoustic-like romantic performances were by Joachim Kühn and Rainer Brüninghaus the mainstream in the U.S. also. During this time, developed in the GDR in the Jazz own forms, especially in free jazz, but also in other directions. To independence was marked here than in West Germany. This music spoke there to a very wide audience and was very successful. Among the better-known artists of this era include Conny Bauer, Ulrich Gumpert (central quartet), Manfred Hering and some more. The 80s - In the 80 years of jazz in Germany was split in several directions. There were both formations, came up with the traditional jazz repertoire, directions, other currents of free jazz and fusion, turning to the emerging Neo Bop as well as combinations of different directions. 90 today - The jazz researchers Ekkehard Jost presented in 1992 identified two main trends of the jazz scene as a jazz repertoire and jazz music in constant and dynamic development. The latter live in musical practice and based on the origins of jazz. In the 90 years dominated, even more than back in the '80s, the effect of commercialization on the music styles. Especially the Jazz was affected. In addition, there was a convergence between East and West Germany, much to the detriment of the East German jazz culture. Over time, often utilizing elements of jazz into other genres like hip-hop, later incorporated into drum 'n' bass, and others.
The 70s - In the 70 years was the international movement entered the German jazz world that jazz has been combined with various other musical genres. Successful jazz musicians like Klaus Doldinger, Volker Kriegel and the United Jazz and Rock Ensemble followed this trend. It is noteworthy that these musicians were just as successful with the local audience as American jazz musician. Acoustic-like romantic performances were by Joachim Kühn and Rainer Brüninghaus the mainstream in the U.S. also. During this time, developed in the GDR in the Jazz own forms, especially in free jazz, but also in other directions. To independence was marked here than in West Germany. This music spoke there to a very wide audience and was very successful. Among the better-known artists of this era include Conny Bauer, Ulrich Gumpert (central quartet), Manfred Hering and some more. The 80s - In the 80 years of jazz in Germany was split in several directions. There were both formations, came up with the traditional jazz repertoire, directions, other currents of free jazz and fusion, turning to the emerging Neo Bop as well as combinations of different directions. 90 today - The jazz researchers Ekkehard Jost presented in 1992 identified two main trends of the jazz scene as a jazz repertoire and jazz music in constant and dynamic development. The latter live in musical practice and based on the origins of jazz. In the 90 years dominated, even more than back in the '80s, the effect of commercialization on the music styles. Especially the Jazz was affected. In addition, there was a convergence between East and West Germany, much to the detriment of the East German jazz culture. Over time, often utilizing elements of jazz into other genres like hip-hop, later incorporated into drum 'n' bass, and others. 
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